Description: ROWLANDSON, Thomas (1756-1827) Blest Hymen, whose propitious hour Restores to virtue all its power. Engraving with original hand-colour, published in London by Rudolph Ackermann, c 1817. Nicely matted and framed by the Frame Shoppe NYC Approx size is 12 inches by 8 1/2” inches DESCRIPTION Original Aquatint & Etching plate with Original Hand Colour UNUSUALLY FINE EXAMPLE with full margins and only very minor marginal wear Rudolph Ackermann, London, 1815. Thomas Rowlandson: Along with Hogarth, Gillray and Cruikshank, Thomas Rowlandson is at the uppermost peak of English satirical art. Amongst these masters, however, Rowlandson was the most gifted artist and his compositions always seemed the closest to the truth for he often lived the dissipated style of life he so memorably satirized. Along with Hogarth, Gillray and Cruikshank, Thomas Rowlandson is at the uppermost peak of English satirical art. Amongst these masters, however, Rowlandson was the most gifted artist and his compositions always seemed the closest to the truth for he often lived the dissipated style of life he so memorably satirized. After studying in both Paris and London, Thomas Rowlandson began his career as a portrait painter. By 1782, however, he devoted himself almost exclusively to his first love; caricature and satirical art. After receiving a large inheritance, Thomas Rowlandson quickly gambled it away. After losing his fortune at a thirty-six hour card game he is known to have exclaimed, "I've played the fool, but (holding up his pencils) here is my resource." Working with such British publishers as Flores and Thomas Tegg, Thomas Rowlandson designed many memorable satires. His greatest work, however, lay ahead in the early nineteenth century when he collaborated with the famous London publisher, Rudolph Ackermann, to produce some of the finest satirical series in the history of art. These included The Microcosm of London (1808), the Tour of Dr. Syntax in Search of the Picturesque (1812) and The English Dance of Death, published in two volumes in 1815 and 1816. Loosely based upon Holdbein's Renaissance "Dance of Death", this latter series superbly uncovers the foibles of early nineteenth century life. For each of these original prints, Rowlandson created the drawings and etched the plates. Ackermann and his studio then provided the aquatinting and hand-colouring. The etchings from The English Dance of Death have long taken their place as among Rowland
Price: 49 USD
Location: New Hope, Pennsylvania
End Time: 2024-11-18T20:03:34.000Z
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Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: Thomas Rowlandson
Listed By: Dealer or Reseller
Type: Print
Year of Production: 1815
Date of Creation: Pre-1800
Style: Antique
Material: Copper Plate
Original/Licensed Reprint: Open Edition Print
Subject: Dance of Death
Print Surface: Paper